I hope you got your polishing in but I'll critique this one anyway. Bare with me; I'm sure you've changed it since you posted this.
First; I can't really tell what he's doing in the very beginning. It kinda looks like he's just getting ready to start but the movement isn't silhouetted. Maybe the camera should be on the other side of the course? That would give you a great silhouette for the "take off".
For SURE the first thing is to get the root to feel right. For the first jumps (before the bars) the root feels floaty. I think the root (actually the whole torso) should accelerate and deccelerate very slowly. I think your general timing feels perfect; so it might just be a matter using a motion path to check the arcs and spacing on the torso. That might make it feel just right.
The same can be said for the time he spends on the bars.
The last jump before he falls feels the best of all of them.
1 comment:
I hope you got your polishing in but I'll critique this one anyway. Bare with me; I'm sure you've changed it since you posted this.
First; I can't really tell what he's doing in the very beginning. It kinda looks like he's just getting ready to start but the movement isn't silhouetted. Maybe the camera should be on the other side of the course? That would give you a great silhouette for the "take off".
For SURE the first thing is to get the root to feel right. For the first jumps (before the bars) the root feels floaty. I think the root (actually the whole torso) should accelerate and deccelerate very slowly. I think your general timing feels perfect; so it might just be a matter using a motion path to check the arcs and spacing on the torso. That might make it feel just right.
The same can be said for the time he spends on the bars.
The last jump before he falls feels the best of all of them.
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